I’m posting this because it was satisfying on all kinds of levels to sing this song for this occasion with these people. Kurt Vonnegut was a humanist, and what always comes through in his writing for me is his compassion for the species. He feels sorry for us, because we have the capacity to love, and we want to be loved, but we fuck up. A lot. One of the ideas expressed in SIRENS OF TITAN is that the only thing humans are here to do is to love whoever there is to love. That’s it.
At the premiere of Bmore/DC Bushwick Book Club, spearheaded by Sea Griffin, there were all these incredible, talented, creative, fearless artists who created inspired pieces for this kick-off show and the audience who came to witness these new creations and birth a new chapter of BBC with us. There were these exquisite people to love, and half of them were on stage with me playing and singing the song I had written.
I grew up in Maryland outside D.C., and I lived in Mt. Pleasant just after college. This is where I learned the blues with Howie Feinstein and gospel with Jackie Stevens. When I first began singing blues in public, I couldn’t have anyone in the audience there that I knew. It was something I had to do, but it was also so beyond whatever I knew my identity to be, that I couldn’t have anyone who knew me in another context lay eyes on me as I did this scary thing that I could not keep myself from doing.
So to be in my home town singing with all these gorgeous, sensitive and extremely fun people––well, it meant something to this girl who was brought up to… to… do anything but perform in public.
I know it doesn’t seem like a big deal. It’s like, so what, there’s a stage, you’re on it.. okay. But really, you ask any other Korean immigrant girl whose mom became a Jehovah’s Witness once they got to America, and she’ll understand what I mean. I not only did the thing I was never supposed to do, I’m still doing it.
Thank you to everyone at the beautiful BMORE/DC BBC kick-off for being there to be loved and for using me.
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